12 June 2026, Alistair Jones Compendium

Alistair Jones & Friends - June 12th, 2026

This programme is devised around small-scale compositions, written primarily for friends and musician colleagues.  Often the works were composed without any future performance in mind, but now, as I approach my 83rd birthday, I thought it was time to give some of these works an exposure.  I have always thought that one pleasure I have as a composer is to write and dedicate music for friends. This programme is all about that.  The works contained here span quite a few years and most are receiving their premiere performances.   Only the “Suite for Misha” has been heard at SHP before.  All the other pieces were written for musicians who have become friends through performing in our Conservatoire Concerts.  

Concert Programme

Suite for Misha

  1. Prelude
  2. Moto perpetuo
  3. Invention à 3
  4. Contretemps a due Cori

Mikhail Shilyaev – Piano


3 Sad Songs for Tenor and Piano (John Donne)

  1. Prelude – The Dampe
  2. Twickenham Garden
  3. Witchcraft by a Picture

Gary Rushton - tenor, Mikhail Shilyaev – Piano

 

Clarinet Sonata in One movement

  • Lento flesiblie. – giocoso – lento flesibile come primo

Adrian Poon – Clarinet, Vasilis Rakitzis – piano


Violin Sonata No.2

  1. Allegro moderato
  2. Sarabande
  3. Finale 

Oliver Nelson – Violin, Vasilis Rakitzis - piano

 

Interval (20 minutes)

 

Concert Suite for Guy

  1. Toccata (The Bells)
  2. Lament (In memory of a Bach Prelude)
  3. Le Tombeau de Shostakovich
  4. Dance Finale 

Guy Murgatroyd - Piano

 

Piano Trio no.2

  1. Dotted crotchet = 60, crotchet = 102, tempo primo
  2. Crotchet = 72
  3. Allegro vivace (dotted crotchet = 120)

David Malusa. (pno), Peter Davis (Vln.) Loraine Deacon (Vcl.)

 

Three Songs of Nature 

  1. There twice a day the Severn fills (Tennyson)
  2. The Way through the Woods (Kipling)
  3. The Sun (Henry Rowe)

Claire Filer (soprano), Guy Murgatroyd (piano)

 

Piano Quintet

  1. Allegro
  2. Intermezzo
  3. Finale – Allegro con brio

Jiyun Zhang (Vl.1), Rongsi Hu (Vl.2) Biancamaria Munzi (Vla) Morgan Key (Vcl) Mikhail Shilyaev (Pno.)
 

Programme Notes

Over the years, I have written a lot of music, but I have never thought of myself primarily as a composer.  In my student days through to my time at Wellington College and in Bristol, with the Bristol Bach Choir, I was an organist, teacher and choral conductor.  It was not until I moved back to London, working in education in the music industry and conducting The Chiswick Choir that I started writing again.  For that Choir I wrote 4 large scale works, Dies Irae, Carmen Paschale, Stabat Mater and A Prodigal Son. With the move to Bracknell and retirement from Yamaha, the focus changed.  No more choral work, but music for friends and colleagues and the foundation of the Conservatoire Concerts. 

 
Two years ago a friend asked me to compile a compendium of my compositions.  This prompted me to look through the pile of manuscripts (not in any order) and computer scores, and I was astonished to find what I had written since the 1970’s – over 70 works, large and small, from songs to oratorios to small piano pieces.  This gave me a nudge to start again.  The compendium now stands at 79 with new chamber and instrumental works, some of which you will hear this evening.                  

                          
This programme is devised around small-scale compositions, written primarily for friends and musician colleagues.  Often the works were composed without any future performance in mind, but now, as I approach my 83rd birthday, I thought it was time to give some of these works an exposure.  I have always thought that one pleasure I have as a composer is to write and dedicate music for friends. This programme is all about that.  The works contained here span quite a few years and most are receiving their premiere performances.   Only the “Suite for Misha” has been heard at SHP before.  All the other pieces were written for musicians who have become friends through performing in our Conservatoire Concerts.  


The Suite for Misha was composed for Mikhail Shilyaev, a good friend and a marvellous pianist.  He is also the dedicatee of the “3 Sad Songs” as he asked for some songs with a “decent piano part”.  I have often been drawn to the poetry of John Donne, previously composing some of the Holy Sonnets for Tenor and Piano Quintet, premiered successfully in London’s Purcell Room.
The Clarinet Sonata was written for David Wong, Principal Clarinet of the Grenadiers Band.  It is conceived in one continuous movement.  Slow fast Slow.   The 2nd Violin Sonata was written for Oliver and Vasilis especially for this concert.  It has 3 traditional movements, the middle being in the tempo of a Saraband.  


Guy Murgatroyd became a good friend after his extraordinary debut at SHP.  A fine virtuoso musician!  The lament in the 2nd movement is in memory of a terrible performance of some Bach by a famous pianist who should have known better. 
The 2nd Piano Trio was written for the Duke Trio after their wonderful concert at SHP last summer.  To be clear, the first 2 movements are joined together by an umbilical low D.  


The Songs of Nature are dedicated to Martin and Fiona Pagnamenta, friends going back to Cambridge days.   Living near the River Severn, the first song was composed for a concert to bring people’s attention to the ecological problems prevalent in the Wye Valley.  I selected 2 more nature poems to make a short cycle.  


The Piano Quintet was composed because I love that chamber ensemble and I wanted to give it try!  The performance is made possible by the participation of a student string quartet from Trinity Laban Conservatoire.  My thanks go to Professor Ji Liu for making this possible and to Professor Mikhail Shilyaev for agreeing to take on the piano part.   And a big “thanks” to the quartet.  It takes the usual fast – slower – fast form.  The middle Intermezzo contains a couple of jokes.  See if you can spot them.  


My very sincere thanks go to all my friends who have taken part in this concert.  I am truly grateful for their musicianship and hard work.  Thank you!


Alistair Jones

 Programme Notes Copyright Alistair Jones, 2026

Guy Murgatroyd

The Composer

Alistair has long associations with music in the UK. Initially at school in Ealing he went on to the Royal Academy of Music and completed his musical education as organ scholar of Trinity Hall, Cambridge, when, as an organ student of Sir David Willcocks he gave the first UK performance of “Le Chemin de la Croix” by Marcel Dupré in King’s College Chapel.  He then taught for 15 years, including at Wellington College and as Director of Music at Bristol Cathedral School, where he also conducted the Bristol Bach Choir and Bristol Intimate Opera.

 

He moved on from teaching in the 1980s and worked for Yamaha on their various education programmes until his retirement. Throughout his musical life, music education and encouraging young musicians has been a focus of much of what he has done.  In his farewell concert with the Chiswick Orchestra in May, two of his previous protégés gave memorable performances of Weber’s Clarinet Concerto No 2 and

Beethoven’s Piano Concerto No 4. He also gave a stunning young 12-year old pianist, Harvey Lin, his first opportunity of playing with a symphony orchestra in Beethoven’s 1st Piano Concerto. A most memorable first perfomance. 

 

Amongst Alistair's many talents is music composition and arranging. On many occasions he has provided choral and orchestral arrangements of songs and he is guilty of composing mobile ringtones. Alistair admits he is a lazy composer, but his catalogue of compositions includes 4 large choral works he wrote for The Chiswick Choir, during his 31 years as Musical Director. The 4 Song cycles include “The Year’s Awakening” to poems by Hardy and 5 Holy Sonnets of John Donne for tenor and Piano Quintet and “Fables”, settings of Aesop.  Recent chamber and instrumental works include Sonatas for Viola and Violin, a Piano Quartet and Piano Trio.  His days at Wellington College and Bristol Cathedral School brought forth incidental music for drama productions including organ music for “Murder in the Cathedral”, and music for Shakespeare’s “As you like it” and “Hamlet”. 

©Copyright. All rights reserved.

Information icon

We need your consent to load the translations

We use a third-party service to translate the website content that may collect data about your activity. Please review the details in the privacy policy and accept the service to view the translations.